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Liveblogging our wedding

For all those of you that aren’t able to make it but still want to follow what’s happening at our wedding, one of our guests has volunteered to liveblog the entire thing on twitter.

You can follow it at twitter.com/kellyherwedding.

This is so amazingly insane, I’m still having trouble getting my head around it. Is this the first liveblogged wedding?


Twitter Updates for 2008-10-24

  • I’m gettin’ married in the mornin’, ding dong the bells are gonna chime. #

31 Days of Horror: Salem’s Lot

Director: Tobe Hooper, 1979, 112′
IMDB Keywords: Shape Shifter, Stephen King, Morgue, Cult Director, Burned Flesh

I realise everyone has probably seen this movie, and therefore reading a review of it is fairly pointless. However, I don’t think you could go too far wrong by making this a halloween staple and by watching it once a year you can remind yourself about how fucking terrifying it is.

I won’t go too far into the plotline as I’m sure it’s common knowledge at this point, but basically David Soul is a writer, he comes to the small town of Salem to write about the eerie old Marsten House that overlooks the town.
The house has been taken over by antique dealer Mr. Barlow and his mysterious partner Mr Straker. Of course, as soon as this happens, people start disappearing.

The reasons to love this film are plenty, for a start it’s directed by Tobe Hooper, and he does an incredible job, most notebly on the subtle ways he introduces Mr. Straker.
You feel that nowadays the announcement of a giant blue vampire into a story would have to come with explosions and cheerleaders and a small amount of ejaculate.

The film spawned a thousand nightmares, especially for the floating child outside the window, and the noise of the nail on glass as he taps from outside.

It’s no wonder that as a boy I watched this film with a towel on my head. It scared the bejesus out of me and continues to do so every time I watch it.

If you do anything this halloween, make sure you rent or buy this movie, if you haven’t seen it, you need to. If you have, you need to remind yourself how good it is.


Twitter Updates for 2008-10-18

  • Mother’s verdict on wedding suit: Beeeeeeeyooooooooshiful. I think that’s good. #

Twitter Updates for 2008-10-16

  • I am going to spazz right the fuck out if this iPod hissyfit gets any nastier. #

Twitter Updates for 2008-10-15

  • Putting the finishing touches to our wedding playlist. Is Jay-Z’s 99 Problems inappropriate? #

31 Days of Horror: The Signal

Directors: David Bruckner, Dan Bush, Jacob Gentry, 2007, 99′
IMDB Keywords: Anarchy, Flashback, Extreme Violence, Bloody Violence, Brutal Violent Movie

I originally wrote about The Signal back in June, but it’s a film that’s stuck with me and so I thought it might be worth revisiting again now as part of this series of blog posts.

A mysterious TV signal affects everyone who watches it, making them completely batshit insane. It’s not exactly the most innovative setup, I know. Stephen King did something similar in his novel, Cell. Although sometimes the setup isn’t important for the story you want to tell. What is important is that everyone in the world is suddenly a bloodthirsty, homicidal maniac.

What do you do with your story once you’ve gotten there? Stephen King decided that his story was going to be about psychically-linked zombies (And why not? He has already written about everything else). Most directors only want to show how small groups of ‘normals’ handle the weight of a world full of crazies. And don’t get me wrong - many fine movies have been made using just this premise.

In The Signal, however, the directors went a completely different route. Their film is about a love triangle set against a world gone la-la. This movie is as much a love story and pitch-black comedy as it is a horror film. And yes, the IMDB keywords aren’t lying - this is a very violent movie and the violence, or rather, the brutal, bloody violence isn’t just played for laughs. Someone of a weak disposition might have trouble sitting through the entire movie.

The story is told in three parts, with each of the directors handling a different part. Because of this, each of the three stories has a completely different ‘tone’. One is played almost completely as a straight horror, another as a black comedy and the final one is more contemplative and touching. I guess you could suggest this is one of the movie’s faults - and I did in my original review - but on the second time round, it seemed like this was intentional and this made it very interesting. As you’re watching a world gradually descend into lunacy, occasionally from the eyes of a lunatic, the discrepancies in tone almost make the film seem like an example of cinematic onomatopoeia.

Shot on a budget of $50,000, it works well within its means. The clever use of gore to pull people into an interesting story they might have otherwise missed means that it will stay with you a lot longer than most other low-budget shockers.


Love, Hellboy-style

Look at her, Abe. She’s my… she’s my whole, wide w… I would… I would give my life for her. But she also expects me to do the dishes.

Hellboy


Criminal mastermind on the loose

It appears to have unfolded this way, according to a Seattle-based NBC affiliate: around 11:00 a.m. PDT on Tuesday, the robber, wearing a yellow vest, safety goggles, a blue shirt, and a respirator mask went over to a guard who was overseeing the unloading of cash to the bank from the truck. He sprayed the guard with pepper spray, grabbed his bag of money, and fled the scene.

But here’s the hilarious twist. The robber had previously put out a Craigslist ad for road maintenance workers, promising wages of $28.50 per hour. Recruits were asked to wait near the Bank of America right around the time of the robbery–wearing yellow vests, safety goggles, a respirator mask, and preferably a blue shirt. At least a dozen of them showed up after responding to the Craigslist ad.

Bank robber hires decoys on Craigslist, fools cops


Twitter Updates for 2008-10-08

  • Hey, even the Mona Lisa’s falling apart. #

31 Days of Horror: The Ruins

Director: Carter Smith, 2008, 93′
IMDB Keywords: Broken Back, Winch, Pretend To Be Dead, Cellular Phone, Gore

Groups of teenagers are constantly getting themselves into bother, I mean, that’s what ASBOS are for right? Well it appears in the horror genre, groups of teenagers get themselves into a little more trouble than necessary. As The Ruins poorly points out.

I’m all for movies about teens being mercilessly and brutally culled in various and exciting ways, but The Ruins just seemed to stretch it a little too far for me.

The Ruins is basically a story about 4 teenagers (2 couples) holidaying in old Mexico before they split for college, they have spent their last weeks sunning themselves and drinking tequila until the last few days where the meet German backpacker Mathias who tells them he is heading out to an old Mayan temple to look for his brother who was on an archaological retreat.

Deciding it would be gas craic, the 4 decide to head out with him for the trek, in between this there is some horrible attempt at humanisation during a party at the beach you are told that one of the girls is insecure because her boyfriend is heading to college to become a doctor (a point that will become useful later on).

Upon arriving at a temple through what seems more like a gathering of small bushes rather than a jungle, they are set upon by a group of crazy Mexicans and one of Mathias’ German compatriots (obviously cannon fodder from the word go) is shot in the head, and pointlessly pierced with an arrow. The group are then ushered up the face of the temple and forced to stay up there by the Mexicans, who set up camp below, seemingly afraid to touch the vines that cover the Mayan temple. (this is further illustrated when a clump of the vines is thrown at a small Mexican child from the achingly dramatic American girl, and the kid gets shot in the head by one of his own).

I could go on about how scared they are, and the injuries they incur, but really all you need to know is the vines are evil, at any attempt they will try and creep into your sleeping bag and worm their way into your open wounds and drag you to a horrible botanic death.

The peak of this movie comes when they are searching for a mobile phone that seems to be ringing deep inside the temple, only to find that the flowers of the vine are PRETENDING to make the noise in order to feast on the teenagers gooey delicious insides.

It’s films like this that you really need to have an overactive imagination to be afraid of, I mean seriously, plants? at their very worst, a nettle is the most evil plant I know, and I’m pretty sure I could take one in a fight.

I didn’t really find anything useful to take out of this film, the teenagers were so annoying that it was like sweet relief to know they were going to get it, but unfortunately the plants themselves were so unbelievable you were kind of wanting a natural disaster to take them ALL out.

Poor concept, poor acting, poor direction, poor movie.


31 Days Of Horror: ‘Frankenfish’

Dir: Mark A.Z. Dippe, 2004, 84mins
IMDB Keywords: Freak Accident, Exploding Head, Fish, Bayou

“shit, the house shot her” - Dan

Frequenting the newly labelled ‘Trash’ section in Laser can bring along some unexpected surprises. Sandwiched in between Roddy Piper’s ‘Hell Comes To Frogtown’ and Will Smith’s ‘I Am Legend’, I noticed the lurid dvd box art of ‘Frankenfish’ with it’s Z-List tagline - “Welcome to the bottom of the food chain”. On picking it up, i wondered what B-movie treasures lay within - Would Jan Michael Vincent look as bad as he did in ‘Buffalo 66′? Will i see Kari Wuhrer’s breasticles jiggle under a sexy geneticist labcoat? And will Danny Trejo ever only understand the words ‘control’ & ‘quality’ unless they are tatooed on the underside of his lids?

Who knows, because none of these people are in this schlock.

I’m sure they were asked, but on seeing the name Mark Dippe, followed by the phrase; ‘Director of ‘Spawn’, i’m sure Trejo, Wuhrer and Vincent decided to take up Uwe Boll’s offer of starring roles in his next anticipated feature.

I’d picked up ‘Frankenfish’ on many an occasion and chucked heartily, knowing, i would never in my right mind want to watch this dross, but duty called on behalf of Lowbrow, and watch it i did.

…and i was mildly surprised. For a B-movie about some genetically modified Snakehead fish, which go on a sub-par Tremors-like rampage in the Louisiana Bayou, it wasn’t bad. The production values are reasonably high; the cinematography crisp and clear, with some sweeping shots of the swamp; the Creature effects a nice blend of convincing CGI and practical efx and the requisite amount of gratuitous nudity, infrequent gore and Richard (Stranger Than Paradise, Platoon) Edson as a dube smoking rasta, but what Mark Boone Jnr (Memento, Batman Begins) was doing in this film, i’ll never know. I suppose ya’ gotta pay the bills!

Would i recommend this film?

Hell no - why watch this when you can go and re-watch the far superior Tremors again?

…unless you want to watch a guy charming a girl with the line: “Y’Know, you look pretty for a girl covered in giant fish brains”

(wait, hold on - http://www.facebook.com/group.php?gid=17695091111 )


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